I didn’t think the world needed one more writing book—but I was wrong. The book that changed my mind is Writing Irresistible Kidlit by Mary Kole.
This book answers so many of our questions about:
- the current writing market (and all the changes)
- what sells best and why
- how to target today’s major traditional book markets
- getting inside the minds of middle-grade and YA readers
- crafting characters and plots that grip a reader
- and what makes a winning query or proposal for an agent or editor.
[NOTE: The book is an in-depth treatment of middle-grade and young adult fiction. It does not cover fiction for kids under age 8 or nonfiction. This is not just a “beginner’s book.” While the book is understandable for someone just starting out, it is challenging enough for a more experienced writer, and especially helpful to anyone wanting to bring their novel up several levels so it can compete much better in the current marketplace.]
Why should you listen to Mary Kole? Well, she has worked at Chronicle Books, the Andrea Brown Literary Agency, and now spends her days as a Senior Literary Manager at Movable Type. She holds her MFA in creative writing from the Universityof San Francisco. Mary blogs at Kidlit.com, named one of the “101 Best Websites for Writers” by Writer’s Digest Magazine for three years running. The book is a bit like having the opportunity to sit down with an agent for a heart to heart about why some books sell and some don’t.
Mary Kole’s encouragement to slow down and really focus on the writing, the theme, and the passion in your story is very welcome. In Mary’s own words:
“That’s why I’m so excited to share this book with you. It’s about craft, first and foremost, and, I hope, it forces you to focus on what’s really important. The publishing game will always be there when you’re ready, and when you finally hit upon that amazing idea and execute it with finesse, you will have a much easier time landing an agent and progressing to a book deal.”
One big change Kole talks about is the current “blockbuster mentality” (that came about after the mega hits of Harry Potter, Twilight, and Hunger Games) and why novels need to be so well crafted in order to sell today:
“The blockbuster mentality that is rampant in Hollywood and in adult and nonfiction publishing has finally come to the kidlit market. We now know that children’s books can make money, so we (agents, editors, and the finance guys upstairs who are signing off on book offers) expect them to.”
Many students have told me they love middle-grade writing, but have no interest in writing about vampires or wizards. Mary’s thoughts:
“If you want to avoid genre, though, there’s still definitely room for stories that deal with the real world of school, friends, romance, and family. In fact, some editors and agents are clamoring for strong contemporary stories where nobody has any magic powers and nothing falls out of the sky or crawls out of the ground. They (and readers) want real life, because that’s fascinating, too.”
The same holds true for YA writers who don’t want to write books with edgy violence and sex scenes. Mary’s advice is:
“Before you start writing smut and gore, though, here’s a very important point to remember: You don’t have to be edgy to write YA. In fact, that’s a huge trap that most aspiring writers of YA fall into. They try on a snarky voice, shoehorn in a paranormal element, and put their character in dangerous situations—all because they think that’s what’s selling right now. But all it does is come off as forced.”
Editors and agents are looking for “high concept” novels today. Here are some clues to what that means—and ways to get your novel this designation. Mary says:
“There are certain things that seem to get the high-concept designation more than others. Basically, it’s anything Hollywood might like: twists; surprise endings; secrets; betrayals in friendship; family ties; romantic relationships; big events like birth, death, and transformation; life-threatening danger; glamour; fantasy and superpower elements, hidden identities; big crime; conspiracy; love triangles—anything that’s larger than life.”
Writing Irresistible Kidlit has sections called “From the Shelves” throughout the book that highlight examples from current published books. A full list of these books is at the end under “Novels Cited,” and I intend to print off the list and start reading. That will be an education all by itself!
I read this book as a PDF sample review copy. Even though I highlighted throughout, I’m going to buy a hard copy. If you can’t buy it right now, put it on your Christmas list. (Or earmark one of those Amazon gift cards you’ll receive from someone this year.) It will make a great Christmas present to yourself! I recommend this new writing book very highly.