writing challenges

Beware the Fuzzies–and Focus!

Published on by Kristi Holl

“How’s your focus?” It’s a question I’ve been wrestling with lately.

Last year my calendar was so full of very good things, but I was frequently exhausted and vaguely dissatisfied. (Well, not vaguely actually. It was a very pointed dissatisfaction with the amount of writing I finished on any given day.)

My children were grown and on their own. I had long ago given up time wasters (TV viewing, hanging on the telephone) and most hobbies (quilting, gardening), and yet…the struggle to write for quality periods of time persisted.

A Busy Blur

A recent sermon gave me a lot to think about. “Beware of living your life without focus,” he said. He talked about how often we substitute being busy for being focused. He finished by challenging us to really give this prayerful thought.

I wrote down his questions and applied them to my writing life:

  • Do you know where you’re going?
  • If you stay on the road you’re on, where is it leading?
  • (And my own corollary question: Are you busy qualifying yourself for a writing life you don’t want?)

Pull Back for Better Focus

You may need to get an overview of how you spend your time before you can answer those questions. It can be an eye-opening exercise to keep track of your activities, hour by hour, for a week or two. For example, you might truly believe that you spend two hours writing every day, plus one hour marketing, and a fourth hour studying. [That’s what I thought I was doing.]

After keeping track, you might find you actually write twenty minutes, but stop frequently to check email. Your marketing hour might actually be spent reading about marketing methods, but not truly doing any marketing of your own projects. Your hour of studying the magazine article on character development might actually boil down to twenty minutes of study and forty minutes of reading ads or following related links.

Training for What?

You may dream of writing novels, but your time tracker might reveal that your writing time is eaten up by writing free newsletters for two organizations you belong to. Or, if you’re well published, you can’t say no when asked to write an endorsement or review of someone’s new book. (That may not sound like much, but reading the book takes several hours, and a well crafted review takes another hour.) Maybe you haven’t had time to work on your own novel for three days because you’ve been critiquing for other writers or writing guest blogs.

All these things make you feel like you’re furthering your writing career as a novelist–but are you? Or are you busy qualifying yourself for something other than your dream? You’re actually gaining experience as a reviewer, a critiquer, a blogger, and a newsletter writer. (Those are fine jobs, if that’s truly what you want to be doing in the long run.) But if you stay on this road–if you continue to spend a large chunk of your writing time this way–do you like where it will inevitably lead you?

Solution?

Beware the fuzzies! Know what your dreams and goals are. We all have our own criteria for choosing goals–and different methods to determine what we’re supposed to do with our writing gifts. (Prayer and journaling work best for me.)

Once you’ve decided, don’t be vague about how you intend to get where you want to go. And stop being an automatic “yes” to each request, no matter how flattering. You must live on a higher plane–above the constant demands for your time–and say “no” to things that don’t further those goals.

Perfectionist Writers

Published on by Kristi Holl

Does perfectionism keep you from getting started on your writing? Does trying to write your best create pressure for you?

If you, you’ll be encouraged something in Art & Fear: Observations On the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland. It’s about being a perfectionist–and how to deal with the pressure it generates in all artists, including writers. Read about this experiment:

“The ceramics teacher announced on opening day that he was dividing the class into two groups. All those on the left side of the studio, he said, would be graded solely on the quantity of work they produced, all those on the right solely on its quality. His procedure was simple: on the final day of class, he would bring in his bathroom scales and weigh the work of the “quantity” group: fifty pounds of pots rated an “A”, forty pounds a “B”, and so on. Those being graded on “quality”, however, needed to produce only one pot–albeit a perfect one–to get an “A”. Well, came grading time and a curious fact emerged: the works of highest quality were all produced by the group being graded for quantity. It seems that while the “quantity” group was busily churning out piles of work–and learning from their mistakes–the “quality” group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay.”

Quality from Quantity

Isn’t that a fascinating experiment? I know that we get better by writing more, like a piano player gets better by practicing more. But what struck me is how much more FUN the first group must have had (while at the same time producing superior pots.) They were just trying to create a lot of pots, without any emphasis at all on the finished product.

Could I use the results of this experiment to revamp my own writing that was often stalled by the perfectionist demon?

Reforming the Perfectionist

I decided to try an experiment of my own this morning. Most days I more closely resemble a pot maker from Group B: stewing, not writing, being unhappy with results and scrapping them, judging, blocking, and finally quitting for the day. Today I decided to be a Group A pot-making writer and just relax. I stayed off the Internet till noon and just wrote–a lot. [I had already outlined my book.] My only goal was to produce a lot of pages. I wrote for three hours with intermittent short breaks, and I had fun! From what I can tell, the nice pile of finished pages aren’t half bad either.

I think I’m onto something here! Don’t try to write the Great American Novel today. Just make some pots, lots of pots!

A No-Guilt Writing Life

Published on by Kristi Holl

Does taking time to write make you feel guilty? In her book Writing as a Way of Healing, Louise DeSalvo said, “Many people…have told me that taking time to write seems so, well, self-indulgent, self-involved, frivolous even.”

Does that describe you? Do you fight your own guilty feelings that say you should be doing something more productive? Does writing–especially if you haven’t sold much or aren’t making piles of money from it–feel selfish to you? Do the real (or imagined) opinions of others keep you from spending time writing or making it more of a priority?

The Stages of Guilt

When our children are small, we fight the guilt that comes with motherhood. Are we taking too much time away from the kids? is it really good that they’ve learned to entertain themselves so well? Is it really the responsible thing that my kids are the only ones on the block who know how to run the washing machine and cook meals? Will the children remember Mom as someone without a face, only a hunched back and tapping fingers?

I used to wonder all those things when my kids were small. But we needed the money from the book contracts I was receiving, and at least I was home. (Only technically, it felt sometimes.) You may know the feeling. When you’re writing, you feel like you should be doing crafts or baking with the kids. When you’re making the umpteenth finger painting, you long to be writing.

This Too Shall Pass…or Will It?

Once my children were grown and on their own, I thought the guilt would stop. But I really identified with Carol Rottman in Writers in the Spirit when she said:

“Now all I have to do is quell my guilt over the things I displace because of my indulgence in writing. There are so many worthy causes that regularly tempt me to leave the desk. A sister describes me as ‘driven’ when I am so serious about my work, and friends wonder why I don’t join them for lunch. My children and young grandchildren, all within a twenty-mile radius, can use as much time as I can give.”

The Cure for Guilt

As in so many cases, the cure for guilt seems to be in finding the right balance. Balance between time for writing and time for family/job/home/church/community. Have you found the balance that works for you and your family? It will look different if your children are babies than if they’re teens or adults.

But how do you find that balance and banish the guilt? Take some time on your own and prayerfully answer the following questions:

  1. What/who pushes your guilt buttons when you’re trying to write?
  2. How do you choose whether to keep writing or not?
  3. What questions do you ask yourself in order to find the right balance and keep your priorities straight?
  4. What are you willing to give up of your own in order to make time to write?

Once you’ve decided, make a schedule for your writing, inform friends and family, and then make a firm commitment to banish the guilt. Trust me on this. Even if you now prioritize your days according to guilt (like I did for decades), you can do this. And in a surprisingly short amount of time, when you see the world goes on functioning while you’re writing, the guilt will fade away.

How the Chunky Method Saved My Life

Published on by Kristi Holl

A couple of months ago, after being sick and traveling and meeting two book deadlines, I stalled when given some unwelcome health news which required tests and more tests. I got really, really behind on an adult mystery, and for hours I would struggle to write, only to throw it all out at the end of the day.

I was used to writing in 90-minute or two-hour blocks, taking a break, then doing it all again. I’d used that schedule for years, since I no longer have small children living with me. But sickness and burn-out had taken their toll, and I wouldn’t make my deadline at the rate I was going.

Enter the Chunky Method!

I had signed up to attend a Saturday writing workshop, and I was eager to be around other writers t. The speaker, Allie Pleiter, was to talk about her book, The Chunky Method Handbook: Your Step-By-Step Plan to Write That Book Even When Life Gets in the Way. To be honest, I didn’t expect to learn anything really new. I just wanted to be encouraged.

I got so much more!

In a Nutshell

Based on our personalities, our lifestyles, our season of life (small children, day job, retired empty nester) and our health, we all write in different “chunks.” By Allie’s definition, a chunk of writing is what you can comfortably do in one sitting, stopping when you pass the point of “this writing is good” into “the writing I’m doing now will have to be tossed out because it stinks.” She had a test for determining the length of your natural chunk. Big and little chunks are equally valuable.

Frankly, I was going to skip the test when I got home and move on to the rest of her book. I had to get busy! Anyway, my natural chunk for years had been about 90 minutes, or about 1500 words. I knew that already. But was it anymore? My writing life was certainly no longer working.

Back to the Drawing Board

I decided to do the chunky test. (You’re supposed to do this five days in a row, one chunk per day.) I didn’t have five days to use for this, so I did four chunks spread throughout a day. I was careful to stop when I felt too tired to keep going productively. Big discovery!

My chunk had shrunk!

I wasn’t able to comfortably write 1500 words at a sitting. My four chunks averaged only 500 words, and my sitting was only 45 minutes. At first I was really dismayed. I was too far behind to write the novel in 500-word chunks. Or so I thought.

I had nothing to lose by trying this method of writing my “comfortable chunk,” then resting a good while, then doing another “comfortable chunk,” and so on throughout the day.

Changing It Up

It worked! Before the Chunky Method workshop, my struggles had only produced about 1200 words per day, and sometimes not that much. Using the Chunky Method, I was able to average about 5,000 words per day rough draft, and some days nearly 8,000 words. And with the rest breaks between the chunks, where I walked or just went outside, I wasn’t stiff and sore or even very tired in the evenings. [NOTE: Determining your “chunk” is just the first step in the Chunky Method. I would tell you more, but I don’t want to plagiarize her book.]

Because I was writing so close to the deadline, I followed my own advice and got a paid critique from a writer I know and trust who has written award-winning mysteries. (Thank you, Mary Blount Christian!) After revising according to her excellent critique, I was able to turn in the manuscript on time. (And very little revision was requested by the editor this time too.)

So, in case you’re stuck, or you’re trying to write in the midst of stressful circumstances, I’d encourage you to buy The Chunky Method. It could change your writing life. It sure did mine!

Striving for Contentment

Published on by Kristi Holl

Would you call yourself a contented writer? Are you happy with your current situation and writing progress?

Or are you a dissatisfied writer, striving to better yourself and always pushing hard toward your goals? It’s something we are faced with all the time, but especially at goal-setting time.

Embrace Opposite Traits

To be honest, if you want to enjoy the writing life–if you want to enjoy the process, and not just the final product–you’ll have to find a way to embrace both contentment and the urge to grow and  improve. Why? Because BOTH traits are important to your well-being as a writer and directly influence your career.

At Peace with Writing

First, you need to be grateful for what you’ve learned as a writer. If you’re a student, or you’ve been writing on your own for several months or years, take a look at your earliest stories and articles. You’ll groan, or maybe grin, at what you considered great writing back then. You’ll see how much you’ve learned about the craft of writing as well as the business of publishing. You can be grateful that your skills aren’t what they used to be!

Giving yourself credit for how far you’ve come is important in keeping your spirits up. We melancholy writers are too quick to get down on ourselves, our abilities, our ideas, and our publishing record. This critical mind of ours (so very valuable during the editing phase) can also be our greatest enemy if we don’t “think about what we’re thinking about.”

It’s probably true that you aren’t where you want to be as a writer (I’m not either!), but be thankful that you’re not back at the very beginning. Take note of your progress with writing skills, marketing skills, how deeply you read, your new blog, and how your lessons are improving. This is being content as a writer. “Whatever is true, whatever is right, whatever is excellent or praiseworthy, think on these things.” (Philippians 4:8) It will allow you to enjoy the writing process.

[Caution: don’t confuse being content with being complacent.  A complacent attitude says, “I’ve arrived. You can’t teach me anything. I’ve been there, done that, got the t-shirt. I can coast from now on.”  A complacent writer stops reading and studying and working at his craft the minute he emails his final lesson or makes his first big sale. Complacency keeps you stuck in one spot–and eventually you start sliding backwards.]

Striving to Grow

At the opposite end of the spectrum is the desire to mature in your writing, and the inner gumption to press forward and make it happen. It’s enjoying your progress while at the same time moving forward to learn even more.

It’s being consistent in your learning curve. (By consistency, I mean devoting a certain amount of time almost daily to your writing growth. Maybe it’s thirty minutes of reading writers’ blogs or writing magazines. Maybe it’s studying a good writing craft book or taking an online class or webinar.)

Juggling Act

Like so many things in life, you have to find the balance here. You want to have enough “drive” to make steady progress in your career–but not end up “driven.” Trust me on this–“driven” is no fun. It comes with ulcers and headaches. On the other hand, you want to enjoy your writing life, and that means learning to be content in whatever stage you’re in. BUT you don’t want to be so content that you become complacent.

It sounds confusing, but it’s not really. Being happy with your writing while striving to learn and write better is akin to being in the zone for me. Slipping out of that zone, on either side, brings doubts and pressure. Pay attention to how you feel about your writing. Make course corrections, if necessary, to remain a happy writer.

Successes and Setbacks

Published on by Kristi Holl

“The only copy of your manuscript is stolen from your car. Articles and stories come back with unfailing rejection…Finances grow ever more perilous. This is, with variations, the script for the first ten or fifteen years of many successful writers’ careers. But they hung on.”

This quote comes from one of my favorite book of meditations for writers called Walking on Alligators. It talks about the nearly universal experience of published writers: their successes are interspersed with fairly regular setbacks.

Have you accepted that truth yet?

Re-framing Failure

Even though the overall pattern of your writing experiences will probably be upward (assuming you don’t quit), it will be full of ups and downs. Ups will include sales and good reviews and awards. The downs–those drops on the chart–include rejections and delays and canceled contracts.

The setbacks are NOT failures or reasons to quit–unless you allow them to be. They’re both places of learning and places of rest. They are simply steps on the way to the top. More importantly, they can have a positive effect.

Upside of Down Times

Compare it to climbing a mountain. It’s usually an up-and-down experience as you work your way to the top. There are periods where you climb upward steadily. Sometimes you also go down–lose a bit of altitude–before starting the next steep climb. Are the downhill stretches failures? No. Setbacks? Not really, although it can feel like that.

Downhill spots have their bright side though. For example, when I “fail” to sell something, it forces me to slow down and ask some questions. And more than one time, the failure to sell a series idea gave me an initial disappointment (lasting about five minutes) followed by a rush of relief that I didn’t have to force my exhausted body into another grueling writing stint just yet. The setbacks can be restful, if we let them be. They can allow you to recoup some energy.

The periods in our writing life that seem “down” can also be times to rethink and regroup. Maybe we need a course correction. Perhaps that rejection is trying to point us in a new direction in our writing. Or that negative review might be telling us that our real love (and talent) is in writing poetry, not baby board books.

But It’s Worse Than That!

What about when the negatives are too frequent? As Harriet Beecher Stowe once said: “When you get into a tight place and everything goes against you until it seems that you cannot hold on for a minute longer, never give up then, for that is just the place and time that the tide will turn.” Judging from personal experience, I have to agree with her.

Have you ever seen a negative happening (bad critique, rejection, few people coming to your workshop, etc.) be transformed into something positive? No need to give specific names or publications, but can you share an unwanted writing experience that turned out, in some way, to be a good thing?

Accountability Challenge for October and November

Published on by Kristi Holl

I’ve enjoyed our writing challenges in the past few years, and I’ve decided to do two of them this fall.

The first one runs from October 1 to October 31. The second one is during NaNoWriMo, the frenzied writing month of November. You can sign up (at the end) for either challenge or both. I need the accountability myself, and I found in the past that there’s no better way to stay on track with daily writing than having accountability.

If you have never been part of one of my challenges, I’d recommend that you read several past blog articles to help you decide if this is for you. They are:

Choose Your 30-Day Challenge

Bringing Back the Accountability Challenge

NaNoWriMo Accountability Challenge


For the October Challenge, choose any writing goal or goals you prefer. Reading the articles above will give you some good ideas about the goals you might set. They can be time goals (I will write fifteen minutes every day, I will write first thing in the morning in my journal, I will revise my work-in-progress one hour every day) or production goals (I will write 50 new words every day, I will write a new poem every day). You can choose more than one writing goal, but if you do, I highly recommend that you make the goals almost ridiculously small so they don’t intimidate. You can always write more! Getting into the habit is the main thing, so keep the goals small.


For the NaNoWriMo November Writing Challenge, we’ll do a modified NaNoWriMo. At the official NaNoWriMo site, the challenge is to write 50,000 words during the month. But maybe that goal’s too big for the size of your writing project, your time available, your health, or any other reason. The daily challenge that you decide on for November is up to you. The only requirement for my modified NaNoWriMo is that it be FICTION.

Sign-up is easy! Email me before October 1 at kristi.holl@gmail.com. Tell me these things:

  1. which challenge (or challenges) you want to join
  2. your daily goal for each challenge

That’s it! You have until September 30 to sign up, but I won’t be adding new names to the lists after that. Near the end of September I will send a reminder email to everyone who signs up .

I look forward to us helping each other have a productive writing fall!

 

The Completion Stage

Published on by Kristi Holl

The past two weeks, I’ve talked about the stages we go through in our writing projects, including the challenges at each stage and ways to keep from derailing. After we have prepared the work-in-progress, let it germinate, worked on it, then deepened and shaped it, we are ready to complete the work.

“There is a completion stage,” Louise de Salvo says in Writing as a Way of Healing, “during which we again revise, revisit, rethink, and refashion. .. Often the drive to finish a work takes precedence over other needs and obligations—like being social or taking showers or eating well.” She said her sons used to call this her “demented stage” because she was so completely involved in her work.

Derail or Finish? That Is the Question

During the completion stage, you can derail your process several ways:

  • If you work needlessly, refusing to let go of your writing project and send it out into the world, your book can fail to be published out of fear. (The “world” can mean your critique partner, your agent, or an editor.) You know in your gut that you’ve made the book as good as you’re able at this point in your learning curve, and that continuing to work on the book is probably not helping it much. In fact, if you keep tinkering needlessly, you can do more harm than good.
  • If you lose interest in your work at this point, you may sadly end up putting the manuscript on a shelf in your closet “to work on later,” only later never comes. Instead of this solution, you must find ways to rekindle your original enthusiasm for your book. If you kept a work journal for this project, go back and read your original notes and hopes for this book.
  • If you become careless during this stage, you might not do the necessary polishing or changing that deep revisions call for. You might settle for a good manuscript or story, but not rise to the excellence you’re capable of at this point in your career. If you find yourself reading through your manuscript and being jolted by certain paragraphs or sentences—yet go on by, hoping no one else will notice the jerky rhythm or unclear sentence—then you’re becoming careless. This can derail your project.

It makes no sense to spend weeks, months, or years writing and then, when finishing, to produce a slovenly, careless effort. During the completion stage, you must fine tune what is there. You must pay attention to detail at this stage. It can be a “slow, meticulous, often plodding process,” says Ms. de Salvo. Yet it is necessary. “Finishing strong is something great athletes learn… Finishing strong is something writers also must learn.”

Germination Phase

Published on by Kristi Holl

[Read about the first phase here: preparing to write.]

The second stage, called the germination stage by Louise De Salvo Ph.D. in Writing as a Way of Healing, is a time “during which we gather and work on fragments of ideas, images, phrases, scenes, moments, lines, possibilities for plots, characters, settings. Sometimes we don’t quite know what we’re doing or where all this is leading. Sometimes we feel like we’re working haphazardly. Sometimes, though, we have a clearer conception.”

Know Your Own Personality

During the germination stage, my Type A personality wants to organize, and yet so much of what occurs to us during this time isn’t “organizable” yet. I used to follow advice I’d read to write down ideas on scraps of paper and stick them in a folder, but I soon found that my own personality hated that. I would open the file folder, see all those scribbled scraps on paper napkins and file cards and the backs of receipts—and it looked like chaos.

Chaos of any kind has never been conducive to writing for me. And yet, if you push yourself to organize during the germination phase, you are almost sure to derail any creative impulses trying to emerge.

Tips for a Successful Germination Phase

So is there a solution to getting through this phase and gleaning from it everything you need to start working on your novel or project? I suspect this is an individual matter, but for me, this is what works to keep me from derailing during this phrase:

1. Follow your urges to read. They will come at such odd moments. You’ll be sorting through junk mail or paying bills, and suddenly you see a flyer on how to save on your water bill. Although ninety-nine percent of the time you pitch this junk unread, today you feel the nudge to read it. Pay attention to your urges to read. I have thus found careers for certain characters, plot twists and whole subplots, and clues for mysteries. The germination stage is a wonderful time to browse in museums, art galleries, antique shops, flea markets, and other places where you can let your mind and eyes roam. Watch what snags your attention and make note of it.

2. If you feel you must organize (like I do), get a three-ring notebook and those colored divider tabs. (This method has served me well through forty-seven books.) Make sections for book and chapter titles, character, plot ideas, setting, dialogue, and whatever else you’re collecting. Continue to write things on scraps of paper as they come to you, but after you have several scraps, sit down with your notebook and add the information behind the correct colored tab. (Scotch taping the scrap to a page is quick and easy.) Is it a snippet of dialogue you overheard on the bus that is just perfect? Transfer it to the dialogue section. Did you find an odd fact about 1940s mail carriers? Put it in the character section. Is it a bizarre thing that someone did that you saw in the newspaper? Add it to the plot section. None of this is written down in any order, but as your sections fatten with ideas, your mind will (quite unconsciously) start to sort it out and make connections. In a later stage, when you go through the various sections of notes, you’ll be amazed at the ideas that will have begun to gel. (That’s in the working stage, which we’ll talk about next.)

The germination stage can be such an exciting, fun time, but it comes with some frustrations. Look at the purpose of this stage, then balance it against your own personality and way of working. After some time–and it’s different for every person and every project–you’ll be ready to move on to the next stage.

[By the way, I’m skimming the surface of the material in De Salvo’s book. If this rings true for you, I’d encourage you to get her book.]

Celebrating Freedom….for Writers

Published on by Kristi Holl

Sometimes, in order find freedom, you have to take the exit pointed out for you.

Last week was one of those weeks.

And at the end of this post, I’ll share with you a very easy path to the freedom to focus.

Losing Focus

I had reached the middle of a novel, one thoroughly plotted out, mind you, but when I actually analyzed it scene by scene, the plot was quite thin. It needed a subplot to beef up the middle, but it couldn’t be any old subplot. It’s a mystery, so it had to tie in with the main story PLUS add important clues and intrigue. Once added, it also meant going through the whole novel and seeing how the subplot would change all kinds of things.

My solution? Acorn TV! I love British TV, and for $4.99 a month, you can watch all the classics you want. But did it help me plot the sagging middle of my novel? No.

So I stopped watching TV, tried to think of a subplot, and went to check email, then post photos of outings with my grandkids on Facebook, and check the local weather station (even though I didn’t plan to go anywhere.) When I am having trouble with my writing, the Internet is my all-time biggest time waster.

A Semi-Solution Is Not Freedom

The day I had the most trouble, I packed up and went to the library study room where I can’t get their free Internet, for some reason. I got quite a lot done, but someone there was playing video games. It surely left him half deaf because I could hear it perfectly despite his ear buds. And it was so cold in there! I’d forgotten to bring a jacket, a must for anywhere indoors in Texas during the summer months.

I prefer working at home in my office, but I will do what I have to do to concentrate. Today I had the same focusing problem, but I couldn’t leave home this time. We had city inspectors coming to make sure the new doors and windows had been installed properly. And of course, the very busy inspector didn’t come till the end of the day. Did I get any writing done?

YES! A lot! And here’s how.

Best Kind of Freedom

I remembered some software I’d bought a few years ago for a whopping $10 called FREEDOM. It simply blocks the Internet for as long as you choose. I blocked it four hours this morning and could focus so easily then! After lunch and checking email, I blocked it for another three hours and wrote. I haven’t had such a productive day in a long time. When you stop interrupting your own thought processes with tiny snippets of information online, you can actually stick with a writing problem long enough to solve it.

Check it out. The Freedom software is still the same low price; it works on Windows and Mac computers, plus other devices.

Want to restore your freedom to focus? Check it out! (It even comes with an unconditional 60-day money back guarantee.) You can’t go wrong.