Harnessing the Unconscious

If you already write fluently, for hours at a time, and you can write at will whenever you choose, you don’t need today’s idea.

However, if developing and then maintaining a daily writing schedule keeps eluding you, you’re in the right place.

This post describes the first type of accountability challenge for April.

Back to Basics

In Becoming a Writer, Dorothea Brande discusses two different writing practices necessary for you to be able to write fluently and at will. She even claims that if you repeatedly fail at these exercises, “you should give up writing and find something else to do because your resistance is greater than your desire to write.”

The first type of writing practice is early morning writing. It is writing done first thing upon rising (other than using a restroom and letting your dog out. I also make instant cocoa to drink while I write.) To do this writing practice, if you already work a day job, you’ll have to get up a bit earlier or forego some morning ritual like reading your newspaper or watching the news.

The Elusive Unconscious

We create best in a dreamy, half-conscious reverie state that is hard to come by during our busy days. This exercise helps you “train” your unconscious to flow toward writing (instead of something else). As Brande says, “the first step toward being a writer is to hitch your unconscious mind to your writing arm.” This exercise is to help you make that automatic connection so that later you can do this on demand.

If you’re skeptical, that’s okay. I was too. But this simple exercise done daily helped me thirty years ago to become a writer. And returning to this exercise at various times in my career has helped me get unstuck after some major life transitions. Approach the idea with an open mind.

Here are Brande’s instructions:

“Just as soon as you can—and without talking, without reading the morning’s paper, without picking up the book you laid aside the night before—begin to write. Write anything that comes into your head.”

That can be last night’s dream, any decision you’re wrestling with, your prayers, anything at all. Just be sure to start writing before you have read anything.

You can use a notebook, sit in bed or in an easy chair, type at your desk, or anywhere you’re comfortable. Write as long as you have free time, or until you feel that you have utterly written yourself out.

Benefits of Early Morning Writing

As Brande points out, “what you are actually doing is training yourself, in the twilight zone between sleep and the full waking state, simply to write… Realize that no one need ever see what you are writing.” Do not judge your writing. In fact, for now, don’t even go back and read it. Just write.

Within a short time, you will find the task of writing no longer a strain. It will be second nature to put words on paper or screen as soon as you’re awake. Remember, it’s the habit of writing we’re working on here. The quality of writing doesn’t matter at all. Save your early morning writing though. Later you may go back and find some good ideas there you can develop.

After you’ve done early morning writing for a week or two, begin to push yourself a bit. When you feel written out, make yourself write one more sentence, or maybe two. A week later make yourself write one more paragraph. This gradual stretching will help you eventually write for many more hours (comfortably and without strain) than you presently can.

Getting Ready for the Challenge

If you want to try the “early morning writing” accountability challenge in April, begin now to think about fitting it into your schedule. Consider what you can give up in your morning ritual to make time for this. Think about going to bed half an hour earlier so you can get up earlier.

Warn the people you live with about this change, if needed. Choose a place where you can be alone and relax during your writing time. (When my children were babies, I snuck into the bathroom and wrote by the night light. My eyesight was better then!)

Be determined. Be creative. Plan ahead. And get ready!

Marketing Help is Here!

The Frugal Book Promoter: Second Edition: How to get nearly free publicity on your own or by partnering with your publisher.

I very rarely read an e-book and then buy the hard copy–but I did in this case. I have to mark it up, add my colored flags and post-its, and turn down page corners.

Why? Because it is so very full of practical, usable, frugal marketing advice. (And I mean frugal in terms of both money and your time.) I already owned the 2004 first edition, but publishing times have changed so much–and this 2011 updated version reflects that.

Why a New Edition?

We all know that book promotion (and life!) has changed since The Frugal Book Promoter was first published in 2004–particularly in ways that have to do with the Web, but in other ways, too. As an example, the publishing world in general is more open to independent publishing now than it was then. So, this update includes lots of information on ways to promote that were not around or were in their infancy a few short years ago.

So here is what is new:

  • A simplified method for making social networks actually work–without spending too much time away from my writing
  • How to avoid falling into some of the scam-traps for authors
  • The best “old-fashioned” ways to promote–the ones I shouldn’t give up on entirely
  • How to write (and publish) an award-worthy book
  • How to promote your book to mobile users and others
  • The pitfalls of using the Web and how to avoid them
  • Unusual methods of getting reviews–even long after your book has been published

Up-to-Date

Today’s technology, social networking and marketing techniques are covered. Updated web resources abound. Advice in sync with today’s Internet are incorporated:

* Blogging tips and pitfalls
* Obtaining reviews and avoiding scams
* Finding places to pitch your book
* Using the eBook explosion to promote sales
* Using Google alerts to full advantage
* Staying on top of current trends in the publishing industry
* Writing quality query, media release letters and scripts for telephone pitches
* Putting together power point and author talk presentations 

This is just a tip of the iceberg too. I highly recommend Carolyn Howard-Johnson’s updated Frugal Book Promoter. (NOTE: Be sure you get the new 2011 edition with the cover above.)

What Makes a Good Book?

We  writers all want to know what editors REALLY think about our submissions. Especially with rejections, we wish we could know what is wrong with the story.

If you want some terrific insights into this question, I’d recommend Second Sight by Cheryl B. Klein. (The full title tells it all: Second Sight: an Editor’s Talks on Writing, Revising & Publishing Books for Children and Young Adults.) It’s a collection of speeches given to writers, plus a few blog posts from her website.

Defining Good Writing

One chapter that might give you a clue about your rejections was on defining good writing. Klein wrote about five qualities she thinks about a lot when considering whether she wants to acquire a manuscript:

  1. Good prose: the quality of the writing. Smooth? Clean? Lyrical? Good pacing?
  2. Character richness: interesting people with dimension. Do they grow and change? Do I care about them?
  3. Plot construction: things must happen. Logical? Unpredictable? What’s at stake?
  4. Thematic depth: the story says something about the world.
  5. Emotion: being caught up in the emotions felt by the main character (and those emotions may vary widely)

What About You?

Cheryl Klein says to be “a literary success, a finished book has to be really strong in at least four of those categories,” most importantly (to her) #2 and #5.

How about you? When you read a good book, what is most important to you? What is the one (or maybe two) qualities it must have for you to pass the book along to your best friend as a “must-read”? [For me, it’s character richness. I don’t care how great the writing or the plot is until the author has made me care about the character.]