studying

A Writer’s Perfect Week

Published on by Kristi Holl
Writer friends from our local ACFW

It has been a writer’s perfect week. I wish I had a word for it! A perfect storm (of which I’ve experienced many over the years) is a “particularly bad state of affairs, arising from a number of negative  factors,” according to the dictionary. But this week was the opposite: a writer’s perfect week.

While I don’t believe a picture is worth a thousand words (or I wouldn’t be in this business), I love photos that tell stories too, so they’re sprinkled throughout.

Two Big Events

Two things made this such a great week: a national writers’ conference last weekend, and my research trip to England tomorrow!

Hyatt Regency

I’m president of our local branch of ACFW (American Christian Fiction Writers), and this past week was our National ACFW conference. We met downtown at the Riverwalk. (That is a view from my room.) As host city, we were responsible for a few things, like transportation for VIPs. (Thank you again, Bruce Judisch!)

 

Milestone Pin award

On Thursday night I was surprised before the dinner by receiving a “Milestone Pin” for having had more than 50 books published with traditional publishers. My friend’s photo caught us as we left the stage. 

Incredible Speakers

Frank Peretti

The speakers this year were superb, and it was an honor to sit under the teaching of authors I had admired and read for decades. They were all so generous with their time and “secrets of the trade.” One special time for me was meeting Frank Peretti, author of two books I read in the 80s (This Present Darkness and Piercing the Darkness) that made a huge impact on me (as well as the other 3.5 million people who bought the books.) He was hilarious and deep, a rare combination, and such a kind man. He was our keynote speaker for the weekend, plus he shared in workshops, and I came as close to being a groupie fangirl as I have ever come in my life.

Other speakers who were favorites were Allen Arnold, James Scott Bell, Robert Dugoni, and Susie May Warren. They all shared deeply moving stories about their lives as well as teaching on writing.

One especially encouraging thing happened with the pitches for my new series idea set in the Yorkshire Dales in England. The agent I spoke with, and both editors I “pitched” the idea to, were very interested and want to see it. I am so grateful for this encouraging “shot in the arm.” It doesn’t mean a sale, but it’s the next step in that direction.

Perfect Timing

The Old Brewhouse flat

So, I head back to England tomorrow, to a small flat in Settle, England, to work hard on Book 1 and finish research for Books 2 and 3. My head is practically bursting with ideas after sitting in 16-18 hours of excellent teaching. My next three weeks will be filled with writing, reading, museum visits, talking to the sheep on my hikes…and then starting the cycle over again. I can’t wait! I’ll post some photos and news throughout the time I’ll be there.

And if anyone knows a word for the opposite of “a perfect storm,” let me know!

 

 

The Gift of Time

Published on by Kristi Holl

It isn’t my birthday or Christmas or Mother’s Day, but it feels like it today. Why? Because I’ve decided to give myself a wonderful gift now.

The gift of time.

I’ve been writing and publishing since my kids were babies. They’re in their thirties now, with their own children ranging from toddlers to teenagers. During many of my children’s growing-up years, I was either single parenting or the family relied heavily on my income. Slowing down to study my craft was a dream I put on my yearly goals list, but it was rarely an option. The 50+ hours of work per week needed to generate income: writing books, teaching writing, speaking, writing test questions, and doing private critiques.

Always Running, Faster, FASTER!

Whenever I thought about studying more, reading more, taking more time to grow as a writer (versus making every hour a billable hour), I would promise myself, Later, when things slow down and the cash flow eases up.

Even when that day came where I could cut back, I found that the very idea panicked me. I had drummed into my head for so many years that freelancer warning, “If you don’t work, you don’t eat.” You learn to go without paid sick days or paid vacations–let alone time to study one’s craft.

If Not NOW, When?

For several years, I’ve been having a discussion with a dear writing friend about slowing down and spending time to improve our writing. I took motivational workshops, learned how to “work smarter, not harder,” streamlined my work habits, and multi-tasked until I met myself coming and going. And what did I do with the time freed up by all this smarter working? Took on more projects, learned how to blog, Facebook and Twitter…but rarely studied. Oh, I bought craft books, but the books that got my full attention seemed to focus on time management.

And my friend? Except for having grandchildren, she was as busy as I was. Yet she got her MFA in children’s writing (traveling half-way around the world to do it), and is now working on her Ph.D. While I don’t have the money for either of those things, I could certainly be studying more. And that’s where I decided to apply my gift of time.

Spending Vs. Investing Time

Starting today, I am giving myself the gift of time to study. I think if I do four or five hours of writing (the moneymaking activities) in the morning, then I could surely study for an hour every afternoon. To survive in the changing publishing times, we will all need to become better writers. And if not now, when? (By the way, it isn’t something I feel I should do. It’s something I want to do. I honestly do love to study.)

Maybe you can’t afford to work part-time yet. (I’m not positive that I can either. I’ll find out!) I know that situation is a reality for many of us. But if you can squeeze out even a daily hour to read current books in your field and study a writing craft book, I encourage you to do it. I’ve signed up for a writing course online which takes an hour per day, and I can’t wait to be a student again! It’s my gift to me.

Striving for Contentment

Published on by Kristi Holl

Would you call yourself a contented writer? Are you happy with your current situation and writing progress?

Or are you a dissatisfied writer, striving to better yourself and always pushing hard toward your goals? It’s something we are faced with all the time, but especially at goal-setting time.

Embrace Opposite Traits

To be honest, if you want to enjoy the writing life–if you want to enjoy the process, and not just the final product–you’ll have to find a way to embrace both contentment and the urge to grow and  improve. Why? Because BOTH traits are important to your well-being as a writer and directly influence your career.

At Peace with Writing

First, you need to be grateful for what you’ve learned as a writer. If you’re a student, or you’ve been writing on your own for several months or years, take a look at your earliest stories and articles. You’ll groan, or maybe grin, at what you considered great writing back then. You’ll see how much you’ve learned about the craft of writing as well as the business of publishing. You can be grateful that your skills aren’t what they used to be!

Giving yourself credit for how far you’ve come is important in keeping your spirits up. We melancholy writers are too quick to get down on ourselves, our abilities, our ideas, and our publishing record. This critical mind of ours (so very valuable during the editing phase) can also be our greatest enemy if we don’t “think about what we’re thinking about.”

It’s probably true that you aren’t where you want to be as a writer (I’m not either!), but be thankful that you’re not back at the very beginning. Take note of your progress with writing skills, marketing skills, how deeply you read, your new blog, and how your lessons are improving. This is being content as a writer. “Whatever is true, whatever is right, whatever is excellent or praiseworthy, think on these things.” (Philippians 4:8) It will allow you to enjoy the writing process.

[Caution: don’t confuse being content with being complacent.  A complacent attitude says, “I’ve arrived. You can’t teach me anything. I’ve been there, done that, got the t-shirt. I can coast from now on.”  A complacent writer stops reading and studying and working at his craft the minute he emails his final lesson or makes his first big sale. Complacency keeps you stuck in one spot–and eventually you start sliding backwards.]

Striving to Grow

At the opposite end of the spectrum is the desire to mature in your writing, and the inner gumption to press forward and make it happen. It’s enjoying your progress while at the same time moving forward to learn even more.

It’s being consistent in your learning curve. (By consistency, I mean devoting a certain amount of time almost daily to your writing growth. Maybe it’s thirty minutes of reading writers’ blogs or writing magazines. Maybe it’s studying a good writing craft book or taking an online class or webinar.)

Juggling Act

Like so many things in life, you have to find the balance here. You want to have enough “drive” to make steady progress in your career–but not end up “driven.” Trust me on this–“driven” is no fun. It comes with ulcers and headaches. On the other hand, you want to enjoy your writing life, and that means learning to be content in whatever stage you’re in. BUT you don’t want to be so content that you become complacent.

It sounds confusing, but it’s not really. Being happy with your writing while striving to learn and write better is akin to being in the zone for me. Slipping out of that zone, on either side, brings doubts and pressure. Pay attention to how you feel about your writing. Make course corrections, if necessary, to remain a happy writer.

Strong Writers Do This

Published on by Kristi Holl

During the past year I’ve done more novel critiques than usual. Some have been so-so, some were very good, and a few have already sold. What was the difference between the “very good” and the “sold” manuscripts? In my opinion, it was the overall strength of the novels.

Often the “very good” book manuscript was strong except for just one area. Maybe there was no felt emotional connection with the main character, or all the dialogue voices sounded like the author’s voice. Perhaps the one weak area was lack of suspense despite beautiful prose, or poorly researched historical facts, or terrible mechanics.

The strong writers had taken time to strengthen even their weaker areas.

Oops!

Often when I mentioned the trouble I saw, the writer emailed me back and said, “I knew that was a problem. I guess I was hoping you wouldn’t notice.” It’s better to listen to your gut feeling and assume if you know there’s a problem, others will see it too.

“Hoping an editor won’t notice” isn’t a solid marketing plan. Even if they had the time (which they don’t), editors aren’t in the business of fixing the story for you or teaching you how to write. They never have been. That’s up to you—but what can you do?

Back to School

“Unless you’re working with an expert instructor, you need to be designing your own writing improvement program,” says James Scott Bell in The Art of War for Writers. “Work out a systematic plan to overcome your weak areas by setting up self-study programs.”

We all hope our novel’s strengths will over-ride the weaknesses, but you want your novel to be healthy overall, not just mostly healthy with one or two weak areas. If your physique were great except for flabby underarms, you would target that flapping fat with exercises and a program designed specifically for upper arms. In the same way, if your novel is weak in one or two areas, you need a specific exercise program to strengthen that area.

For example, if your problem is dialogue that all sounds like the same flat voice, you might need a self-study program called “Creating Distinctive Voices.” Your study question might be: How can I create distinctive voices for each character, so distinctive that I can tell who’s speaking without any identification?

A Plan to Grow Strong

Here’s one plan, and you can adapt it for any area you want to improve:

  1. Make a list of novels where you remember the characters coming through in their dialogue as distinctive. (accent, regional speech, slang, choppy vs. languid speech, hip vs. old-fashioned, formal vs. grammatically incorrect, straightforward vs. flowery speech, etc.)
  2. Choose several of these novels and re-read them specifically for the dialogue. Keep your study question in mind as you read. Underline passages that do the job and then write a few scenes where you try to accomplish the same thing through dialogue. Don’t copy their words, but try to copy the technique used.
  3. Buy some books on the particular writing problem you have and study them. There are good writing books available on every area of craft you can imagine. You don’t have to re-invent the wheel, nor do you have to submit stories that are weak in one or two areas.

In today’s economy, your stories need to be the cream that rises to the top. Ensuring that your novel is strong in every area is one way to do that.

What ways have YOU found effective in making your writing stronger? Leave a comment!

Stage Two: Preparation

Published on by Kristi Holl

In the “Five Stages of Success,” once you know where you’re headed (“Stage One: Exploration”), then you’re ready for “Stage Two: Preparation.”

Getting Ready for the Journey

This stage comes with a warning. Many people try to either bypass this stage altogether or rush through it. It’s understandable. We’re excited about our goals, and we just want to get on with it! And that’s what most people do: jump in with both feet with little thought about preparation.

Research shows that if you skip this phase, more than likely you’ll hit a brick wall somewhere and be forced to fall  back and regroup. At that point, you’ll realize you got ahead of yourself and need more preparation. It’s easier–and less discouraging–if you take time to do the prep work first.

What Kind of Preparation?

Getting ready for a successful writing career can require preparation in several areas: improved grammar skills, learning about the publishing industry, learning marketing basics, or (like me) taking a writing course that covered it all.

Another kind of preparation may be financial. Unless you’re independently wealthy or your family doesn’t require your income, you may need to prepare financially for the writing career you want. It may mean clearing up debt–the last thing you need as a freelance writer is credit card payments. Or your financial preparation may be saving enough money to quit your day job. (There are many books available on this topic if you need specific help there.)

Take Your Time

Try not to get so frustrated during the preparation stage of success that you skip it or rush it. Take all the time you need to prepare so that you don’t have to do a lot of backtracking later.

By the way, the amount of preparation time you need will be individual to you. I took a writing course, read lots of books and magazines, studied market guides, and (over the years) bought and studied dozens of writing books. I have a writing friend, though, who grew up with a mother who taught children’s literature at the university level. My friend started writing without any formal preparation at all, and to this day she’s never read a how-to writing book (and she has seven critically acclaimed books to her credit).

The moral? Only you know how much preparation you need. And you may not know until you spread your writing wings a bit and try to get published. You might find a few gaps in your knowledge and need to go back and fill those in. That’s fine–nearly all of us have to do that. You can successfully fill in those gaps.

Success Along the Way

Remember to celebrate each step you complete along the way. Celebrate finishing that class. Celebrate finishing that book you chose to study. Celebrate attending your first writing conference.

And ENJOY the preparation phase. Feel the excitement and anticipation, and let it carry you along to “Stage Three: Start-Up” on Wednesday.